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He cites Factory’s idealism
Drawing from the performance practice of Okwui Okpokwasili and Peter Born
which is being sold in honour of the 25th anniversary of this seminal project being produced for the ICA
Anna Maria Fink
consider how the last savior went out
Marialba Russo: Public Sex Betty Tompkins He cites Factory’s idealismNero, 2021, softcover, 168 pages, 15 x 18 cm Naples, late Seventies. On the citys streets scandalous, indecent posters suddenly appeared, and then quickly disappeared, replaced by new images. They only lasted two years before being censored. The posters were taken from porn movies, with bodies of naked, obscene, tempting women. Their focus, however, was not only womens bodies but also (and mostly) male desire and those years dominant macho imagery.
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