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This Feldman/Schellmann title
often drawing upon memories and sexuality that gave her work an edge that many found challenging
Corson-Scott remains resolutely insistent on the use of analogue film and ‘old-fashioned’ 8×10 view-camera as critical to the aesthetic of his work
Sarah Sze’s Fallen Sky is placed midway atop Museum Hill
fear and despair
Phil Dadson | February Music 24, 2015 Donald Judd This Feldman/Schellmann titleAbout Phil Dadson Recognised internationally for pushing the boundaries of sound and intermedia art since the 70s, Phil Dadson is a seminal figure in New Zealands art history and has influenced a generation of leading mid career artists. His highly inventive transdisciplinary approach to making art includes solo and group performances on original instruments, exhibitions, building experimental sonic objects, video sound installation, music composition
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